![]() ![]() In fact, several events seem to foreshadow his sister's death: When Michael sees his sister at the hospital, he describes her face as dead white and her hair as dead black. ![]() Tubes are taken in and out of her tiny body depending on her condition. Michael and his parents never know for sure whether she will recover, which puts an extraordinary amount of stress on them. The tension between life and death is most prominent in the baby's constant struggle for survival. Moreover, the fact that Skellig has seemingly been in the garage forever suggests that he is above the cycle of life. ![]() At the same time, however, there are hints at renewal and life after death, as Michael's family has moved into a new house just in time for spring, a time of renewal when nature comes back to life. He mentions Skellig, whom he found in the garage, thinking he is already dead because he is covered in dust, cobwebs, and dead flies. Death" because of his pale complexion, which does not sound reassuring and leaves doubts as to whether his sister will survive. ![]() The opening outlines the juxtaposition of life and death, indicating that it is the overarching theme of Skellig: Michael introduces the doctor treating his critically ill sister as "Dr. ![]()
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